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Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave

James Salter

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James Salter
Aircraft Pilot
Film Director
Novelist
Screenwriter
Writer
New York City
New York
Men
Love
Opposite
Opposites
Finally
Leave
Ready
Fall
Women

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I am afraid of him, of all men who are successful in love.
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My idea of writing is of unflinching and continual effort, somehow trying to find the right words until you reach a point where you can make no further progress and you either have something or you don’t.
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The myriad past, it enters us and disappears. Except that within it, somewhere, like diamonds, exist the fragments that refuse to be consumed. Sifting through, if one dares, and collecting them, one discovers the true design.
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You can write about other people and their ideas and life without having lived it, but even your perception of that is going to be colored by what you know and what you experience. And this is undeniable.
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They lay silently. She was staring at something across the room. She was making him feel uncomfortable. 'It wouldn't work. It's the attraction of opposites,' he said. We're not opposites.' I don't mean just you and me. Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave.
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Why is it so difficult to assemble those things that really matter in life and to dwell among them only? I am referring to certain landscapes, persons, beasts, books, rooms, meteorological conditions, fruits.
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You are perfectly entitled to invent your life and to claim that it's true.
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Dresscodes are for styleless people.
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I like men who have known the best and the worst, whose life has been anything but a smooth trip. Storms have battered them, they have lain, sometimes for months on end, becalmed. There is a residue even if they fail. It has not been all tinkling there have been grand chords.
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You lived and died alone, especially in fighters. Fighters. Somehow, despite everything, that word had not become sterile. You slipped into the hollow cockpit and strapped and plugged yourself into the machine. The canopy ground shut and sealed you off. Your oxygen, your very breath, you carried into the chilled vacuum, in a steel bottle.
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Your parents are the parents you know best. Your brother and sister, if you have them, are the brother and sister you know best. They may not be the ones you like the best. They may not be the most interesting, but they are the closest and probably the clearest to you.
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You write for glory. You play for glory. There's an ambition to excel, isn't there, to be a star? To score more, to do more, even when it's a team sport. So I think striving for glory is a natural subject for a writer. Seeking fame.
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Amplitude is a powerful quality in fiction. It results in involvement, in sympathy with the characters. After a while, a reader can't avoid being involved with a book, caring about it, even if it's not a particularly good book. You're in it, and you're committed to it.
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They are travelling cheaply, with that touch of indolence and occasional luxury that comes only from having real resources. They live in Levis and sunlight. Sometimes they brush their teeth in streams.
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The normal economic system works itself.
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One should not believe too strongly in a life which can easily vanish.
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Life passes into pages if it passes into anything.
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The dreams are the skeleton of all reality.
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You’re so American. You believe everything is possible, everything will come. I know differently.
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