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I'm being totally honest, but I really do get chills every time I see something that I designed, painted on the biggest stage in Universal, standing proud there among all the other stages. I think, That is so amazing that I did this.

James Pearse Connelly

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James Pearse Connelly
Age: 44
Born: 1980
Born: January 1
Art Director
Production Designer
Leonardo
New Jersey
Every
Biggest
Something
Amazing
Really
Universal
Chills
Time
Standing
Stages
Think
Among
Painted
Thinking
Proud
Chill
Honest
Designed
Stage
Totally

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In New York, it's a little bit more formal, a little bit more decorated, and there's a real appreciation for traditional style. Out here, it's casual, fresh, new, and almost humble.
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I treat every show, every production, like its own individual human organism that's grown up in a certain way, and they all have crazy habits and do different things.
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Budget affects everything.
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If you look around anywhere, layers are an important part of, not just the story and the concept, but the world you're in. If you just turn around and look at your office door, there's a door, and there's something behind it.
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My approach is to 100 percent get the concept and the visual right. Get the client to love the space. Once they love the space, everything's possible.
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To me, Los Angeles and California and executive power are about big, open warehouse buildings. Tech companies are buying oversized buildings, because they project growth immediately.
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