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If you look around anywhere, layers are an important part of, not just the story and the concept, but the world you're in. If you just turn around and look at your office door, there's a door, and there's something behind it.
James Pearse Connelly
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James Pearse Connelly
Age: 44
Born: 1980
Born: January 1
Art Director
Production Designer
Leonardo
New Jersey
Look
Behinds
Looks
Behind
Layers
Important
Turn
Concept
Something
Turns
Anywhere
World
Story
Concepts
Around
Door
Stories
Office
Part
Doors
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Budget affects everything.
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I'm being totally honest, but I really do get chills every time I see something that I designed, painted on the biggest stage in Universal, standing proud there among all the other stages. I think, That is so amazing that I did this.
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I think unscripted variety television may or may not get a bad rap now, but it is a fabulous environment. It is exactly who I am, and there's so much creativity there to express.
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In New York, it's a little bit more formal, a little bit more decorated, and there's a real appreciation for traditional style. Out here, it's casual, fresh, new, and almost humble.
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Producers are looking to me to concept full worlds for subjects to compete, play a game show in, win an award, blah blah blah.
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My approach is to 100 percent get the concept and the visual right. Get the client to love the space. Once they love the space, everything's possible.
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To me, Los Angeles and California and executive power are about big, open warehouse buildings. Tech companies are buying oversized buildings, because they project growth immediately.
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I treat every show, every production, like its own individual human organism that's grown up in a certain way, and they all have crazy habits and do different things.
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