The real joy is in discovering that the twigs and branches of my practice are all firmly rooted in a single tree, even as time goes by and I become increasingly aware of the fleetingness of all things.

What really interests me about capturing and suspending movement is that I get to experience something invisible and inaudible, as elusive and fleeting as thought itself, and give it form... Maybe my paintings are all just little fragments of the Cosmic Dance suspended in time.

Music has always been important to me. Rhythm, in particular, features in most of the things I do. I stumbled recently upon an old notebook in which I'd written, 'Touch, timing and timbre... keys to the heart.' That just about says it all.

I like routine. It enables me to improvise.

I do make my own brushes and have done so for many years. I'm constantly refining the designs, trying new materials, re-configuring other brushes - all in my never-ending quest for the perfect brush.