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There is no relationship between the gestures and what an orchestra will do.
James Levine
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James Levine
Age: 77 †
Born: 1943
Born: June 23
Died: 2021
Died: March 9
Conductor
Musician
Pianist
Cincinnati
Ohio
James Lawrence Levine
Orchestra
Gestures
Relationship
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A lot of people get impatient with the pace of change.
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Employee fathers need to step up to the plate and put their family needs on the table.
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I was lucky that I met the right mentors and teachers at the right moment
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I can imagine wanting to work with this ensemble and this company always.
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Art has never been a popularity contest.
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More and more couples are having this negotiation or discussion, but I'm still amazed at the number who aren't and where the cultural norm sort of kicks in and they just assume that mom's got to be the one who stays home, not dad.
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We found that when people put this issue on the table, it turns out that men acknowledge the issue, and employers and employees can work out solutions just as working mothers do.
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As major orchestras around the world are gripped in various kinds of crises and upheaval, we need to be sure that we are bringing up this new generation.
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But the important thing is to lie down and fall asleep. That little nap means you wake up fresh again and can continue.
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Most people treat the office manual the way they treat a software manual. They never look at it.
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My hunch is that probably men are doing more both outside the home and inside the home
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Everybody blames the culture without taking responsibility.
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We're in the midst of an evolution, not a revolution.
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I thought I'd write one book and the world would change overnight
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Second, if you're the boss, just because they don't ask doesn't mean your employees don't have needs.
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Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.
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And so, little by little, I gradually divested myself of pretty nearly all of the guest conducting I used to do, because I was at the same time working in the places like the Met, where I could work in this sort of depth.
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