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There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Art
Clich
Really
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Mad
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Abstract
Performance
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Gestural
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Expressionist
More quotes by James Franco
When I was younger, I didn’t know that I should just listen to my own voice, my own artistic sense of things when I was choosing projects, because one of the biggest creative decisions that an actor can make in the film business is what you will work on.
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I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
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The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
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You take advantage of your position as a famous actor to meet women.
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I wouldn't want to live life in an untroubled garden, blissful and ignorant. I would want to get out into the world, and be a part of something. In a way I was born into the Garden of Eden, or as close as you can get in our world I was born white, male, and in Palo Alto. I had it pretty kush.
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Always have one artistic thing that is pure, at least one thing, where you don’t compromise. You can do other things to make money, but have one pure area.
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For some reason, when I was in junior high school, my friends and I had, like, a cologne-stealing ring.
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There's a large chunk of me in all the parts. As an actor, I got involved largely because I want to let things out. The best acting is that that is most real and the only way to do that, is to genuinely feel it.
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If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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I'm starting to teach now: I teach in the graduate film program at NYU and next year I'm going to be teaching at Los Angeles at the film program and English program at UCLA.
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I start movies with people that I believe in and people with visions, you know, that I believe in. And so if it doesn't kind of come together in the right way, at least I was doing it because I believed in the person and the movie.
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This was the way the night had cashed in. Choices had been made and things happened, and here we were. It was sad, and funny. My life was made of this. Stuff like this.
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He was so. So dirty, and just moving in front of me, and cute. I was in love with him, especially because he was talking to me.
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My style is casual-chic? Casual-messy?
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I think as far as straight actors playing gay roles, Brokeback Mountain was a big breakthrough. I'm pretty sure when they were casting that movie that - I think the story is, like you know, 10 to 15 other actors turned it down.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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Not having any real direction, one writer would lead me to another.
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I've decided I can't really control people's perceptions of me. All I can do is decide on what I work on and how hard I work on it.
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It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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