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Adapting a book is essentially a collaboration, whether the author is alive or dead.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Adapting
Collaboration
Essentially
Author
Dead
Alive
Whether
Book
More quotes by James Franco
If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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I teach a lot - I teach at the UCLA and USC graduate film programs - and a lot of those projects are my students' projects that I act in or I do a cameo.
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Always have one artistic thing that is pure, at least one thing, where you don’t compromise. You can do other things to make money, but have one pure area.
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There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.
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I worked the drive-through at McDonald's and tried out different accents - Italian, Russian, Irish.
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I drank from the bottle again and it was a scary plunge because I always wanted to take too much. It hurt, but it was also impressive, like being in the hands of a bigger force. And because of that, a relief.
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When I was a young actor, I just didn’t understand how to function in this business as an artist. It is a business, it’s called the film business for a reason, there’s money involved ... But on the flip side, now I do not let the business side of it rule either. It’s a balance.
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I get like six or so hours of sleep a night.
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I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
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I'm starting to teach now: I teach in the graduate film program at NYU and next year I'm going to be teaching at Los Angeles at the film program and English program at UCLA.
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I don't cast somebody that I think is like my younger self.
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I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.
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I am actually turned off when I look at an account and don’t see any selfies, because I want to know whom I’m dealing with. In our age of social networking, the selfie is the new way to look someone right in the eye and say, 'Hello, this is me.'
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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For some reason, when I was in junior high school, my friends and I had, like, a cologne-stealing ring.
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Sometimes I get a little sad, and I feel like being alone. Then I talk to my cat about it, and he reminds me I’m James Franco. Then we dance.
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As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work it's like, it's you, and it's your emotions that they're working with.
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I've decided I can't really control people's perceptions of me. All I can do is decide on what I work on and how hard I work on it.
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The number of women in power positions is a fraction of the number of men in such positions.
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