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I love that the idea of examining memory, and the way memory is edited was made more interesting because it was being filtered through a writer.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Way
Examining
Love
Memory
Writer
Memories
Interesting
Idea
Ideas
Filtered
Made
Edited
More quotes by James Franco
When I read the book [The Adderall Diaries] I loved it, and I maybe had an inkling that there was a lot of good material in there. I didn't quite know at the time how to adapt it into a film, but I hoped I would figure it out one day.
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I was supposed to go out with this girl, but the plans mixed up because I was working late. So I went to her apartment with a flower. She was asleep, but I really wanted to see her. I figured I'd be like Romeo, and climbed up to her balcony and gave her a rose. She was very shocked. After that, it was over.
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There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.
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Japanese moe relationships socially dysfunctional men develop deep attachments to body pillows with women painted on them.
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This was the way the night had cashed in. Choices had been made and things happened, and here we were. It was sad, and funny. My life was made of this. Stuff like this.
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I view filmmaking as a director's medium.
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I don't cast somebody that I think is like my younger self.
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I'm a big cardigan sweater guy.
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Adapting a book is essentially a collaboration, whether the author is alive or dead.
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Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.
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I was an English major at UCLA when I was 18, and then I left after a year to start acting. I was educating myself during that time.
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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I get to work with incredibly talented young filmmakers and students, and their attitudes and relationship with film is still so pure. That re-inspires me and reminds me why I got into it and what I love about film, and allows me a little reprieve from the business side of it. And it rekindles my love of film.
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There's no relationship that I find that's closer than a creative relationship.
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The fame and the fame-hungry world we live in does it all for you. Women are lining up on your Instagram account to meet you.
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The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
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Not having any real direction, one writer would lead me to another.
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If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
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I worked the drive-through at McDonald's and tried out different accents - Italian, Russian, Irish.
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Sometimes rabbits, like, turn me on. I don't know why.
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