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I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Littles
Audited
Little
Schools
Good
Atmosphere
Things
Guess
Tired
Learned
Acting
School

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All I know is that when I needed McDonald’s, McDonald’s was there for me.
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Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
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You take advantage of your position as a famous actor to meet women.
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The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
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I've come to a point where I just want to do movies that I just believe in. I have come to an understanding of filmmaking, a new understanding where I believe it's a director's medium. That means working with people that I believe in.
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I've decided I can't really control people's perceptions of me. All I can do is decide on what I work on and how hard I work on it.
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Acting is an art form and you want to take roles that are challenged and it's more of a challenge I think to play dark characters. Not that I want to always play those, but it is a challenge and challenges are rewarding and fun.
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I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
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The wind came in languid gusts like whispered reminders.
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I loved the world of Oz. I guess as a young man, I was just drawn to fantasy worlds. I liked being transported to alternative realms where a lot of my early imagination was sparked.
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If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
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There's no relationship that I find that's closer than a creative relationship.
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This was the way the night had cashed in. Choices had been made and things happened, and here we were. It was sad, and funny. My life was made of this. Stuff like this.
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I felt, implicitly, or not so implicitly, that subjects about women and other races were out of my jurisdiction as a creator. That if I moved too far from my own experience, and my own established identity, I would be criticized for taking even more of those wedding pies from others.
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You say I sucked at the Oscars. I was a genius at the Oscars. That was experimental tuxedo sleep art.
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You're a white male living in America, brought up in one of the richest cities in the county, Palo Alto. You went to high school with Steve Jobs' daughter, and your journalism teacher is the mother-in-law of Sergey, co-founder of Google.
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For some reason, when I was in junior high school, my friends and I had, like, a cologne-stealing ring.
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I don't cast somebody that I think is like my younger self.
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There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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