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Sometimes rabbits, like, turn me on. I don't know why.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Rabbits
Turn
Turns
Sometimes
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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I wouldn't want to live life in an untroubled garden, blissful and ignorant. I would want to get out into the world, and be a part of something. In a way I was born into the Garden of Eden, or as close as you can get in our world I was born white, male, and in Palo Alto. I had it pretty kush.
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I start movies with people that I believe in and people with visions, you know, that I believe in. And so if it doesn't kind of come together in the right way, at least I was doing it because I believed in the person and the movie.
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I still don't like going to bed alone.
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If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
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There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.
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All I know is that when I needed McDonald’s, McDonald’s was there for me.
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I think as far as straight actors playing gay roles, Brokeback Mountain was a big breakthrough. I'm pretty sure when they were casting that movie that - I think the story is, like you know, 10 to 15 other actors turned it down.
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Japanese moe relationships socially dysfunctional men develop deep attachments to body pillows with women painted on them.
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The fame and the fame-hungry world we live in does it all for you. Women are lining up on your Instagram account to meet you.
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If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
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I get like six or so hours of sleep a night.
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Not having any real direction, one writer would lead me to another.
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As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work it's like, it's you, and it's your emotions that they're working with.
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I've come to a point where I just want to do movies that I just believe in. I have come to an understanding of filmmaking, a new understanding where I believe it's a director's medium. That means working with people that I believe in.
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I love to bring humour into my work. Because comedy is not a huge part of the art world. And big-business film takes itself very seriously.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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When I was a young actor, I just didn’t understand how to function in this business as an artist. It is a business, it’s called the film business for a reason, there’s money involved ... But on the flip side, now I do not let the business side of it rule either. It’s a balance.
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When I was younger, I didn’t know that I should just listen to my own voice, my own artistic sense of things when I was choosing projects, because one of the biggest creative decisions that an actor can make in the film business is what you will work on.
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The selfie is the new way to look someone right in the eye and say, 'Hello, this is me.'
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