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I used to care about how I looked. Now I don’t care as much. Maybe it’s because I’m so handsome.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Care
Much
Narcissistic
Handsome
Looked
Maybe
Used

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It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.
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I drank from the bottle again and it was a scary plunge because I always wanted to take too much. It hurt, but it was also impressive, like being in the hands of a bigger force. And because of that, a relief.
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I personally just love movies about the creative process.
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He was so. So dirty, and just moving in front of me, and cute. I was in love with him, especially because he was talking to me.
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Sometimes rabbits, like, turn me on. I don't know why.
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Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.
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If many people love me, then I must be important.
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If liking Katy Perry and drinking margaritas is gay, then who wants to be straight?!
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Showing the addiction and unusual sexual practices are ways of just outlining a much bigger character trait.
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I feel there are so many things in this world that have been and are being created that I could spend the rest of my life thinking about, and I couldn't cover all the things I'm interested in. That to me is what makes life sweet-learning and exploring.
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It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
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Japanese moe relationships socially dysfunctional men develop deep attachments to body pillows with women painted on them.
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The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
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The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
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When I read the book [The Adderall Diaries] I loved it, and I maybe had an inkling that there was a lot of good material in there. I didn't quite know at the time how to adapt it into a film, but I hoped I would figure it out one day.
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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I have high aspirations. I want to be an architect.
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If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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