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I used to care about how I looked. Now I don’t care as much. Maybe it’s because I’m so handsome.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Much
Narcissistic
Handsome
Looked
Maybe
Used
Care

More quotes by James Franco

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If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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There's a long tradition of teen comedies where the kids are getting drunk on beer and whatever else, so smoking a joint to me is no worse than having a beer. So, if someone has a problem with it, I'll just tell them to relax.
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School allowed me to have outlets so that some of the pressure was taken off the acting. Every role in every movie, I used to live or die by. Once I had these new outlets, I relaxed a lot more.
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For some reason, when I was in junior high school, my friends and I had, like, a cologne-stealing ring.
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Generally you don't initiate the projects - they're designed and you're inserted. Your material is edited by somebody. You feel a lack of power over your work.
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As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work it's like, it's you, and it's your emotions that they're working with.
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All I know is that when I needed McDonald’s, McDonald’s was there for me.
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I worked at a McDonald's drive-through. I could always tell when girls were interested: They'd drive around again and say, I forgot something.
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I'm an actor, I do movies, and I need to find somebody who enjoys that kind of stuff. It's not like, Oh, I have my work time, and we go on a date, and it better be darn fun and exciting! I think it should all coalesce a bit more.
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Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.
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It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
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Sometimes it is painful to be oneself at other times it seems impossible to escape oneself.
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I feel there are so many things in this world that have been and are being created that I could spend the rest of my life thinking about, and I couldn't cover all the things I'm interested in. That to me is what makes life sweet-learning and exploring.
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If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
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I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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I have high aspirations. I want to be an architect.
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If many people love me, then I must be important.
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If liking Katy Perry and drinking margaritas is gay, then who wants to be straight?!
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I love to bring humour into my work. Because comedy is not a huge part of the art world. And big-business film takes itself very seriously.
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