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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Much
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World
Movies
People
Culture
Power
Young
Today
Music
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Whole
Teens
More quotes by James Franco
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I felt, implicitly, or not so implicitly, that subjects about women and other races were out of my jurisdiction as a creator. That if I moved too far from my own experience, and my own established identity, I would be criticized for taking even more of those wedding pies from others.
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I was an English major at UCLA when I was 18, and then I left after a year to start acting. I was educating myself during that time.
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When I was a young actor, I just didn’t understand how to function in this business as an artist. It is a business, it’s called the film business for a reason, there’s money involved ... But on the flip side, now I do not let the business side of it rule either. It’s a balance.
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I start movies with people that I believe in and people with visions, you know, that I believe in. And so if it doesn't kind of come together in the right way, at least I was doing it because I believed in the person and the movie.
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As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work it's like, it's you, and it's your emotions that they're working with.
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Sometimes I get a little sad, and I feel like being alone. Then I talk to my cat about it, and he reminds me I’m James Franco. Then we dance.
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I feel there are so many things in this world that have been and are being created that I could spend the rest of my life thinking about, and I couldn't cover all the things I'm interested in. That to me is what makes life sweet-learning and exploring.
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I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.
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I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
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We all age. You shouldn't discount it as a subject for a film. Just because the characters are dealing with issues that you might not deal with for another 45 years doesn't mean you won't like it.
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I've decided I can't really control people's perceptions of me. All I can do is decide on what I work on and how hard I work on it.
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I love to bring humour into my work. Because comedy is not a huge part of the art world. And big-business film takes itself very seriously.
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There's no relationship that I find that's closer than a creative relationship.
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It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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Generally you don't initiate the projects - they're designed and you're inserted. Your material is edited by somebody. You feel a lack of power over your work.
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