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Always have one artistic thing that is pure, at least one thing, where you don’t compromise. You can do other things to make money, but have one pure area.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Pure
Least
Money
Thing
Make
Area
Always
Compromise
Things
Artistic
Areas
More quotes by James Franco
I'm an actor, I do movies, and I need to find somebody who enjoys that kind of stuff. It's not like, Oh, I have my work time, and we go on a date, and it better be darn fun and exciting! I think it should all coalesce a bit more.
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If many people love me, then I must be important.
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For some reason, when I was in junior high school, my friends and I had, like, a cologne-stealing ring.
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I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
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I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
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I drank from the bottle again and it was a scary plunge because I always wanted to take too much. It hurt, but it was also impressive, like being in the hands of a bigger force. And because of that, a relief.
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I've come to a point where I just want to do movies that I just believe in. I have come to an understanding of filmmaking, a new understanding where I believe it's a director's medium. That means working with people that I believe in.
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Adapting a book is essentially a collaboration, whether the author is alive or dead.
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I worked the drive-through at McDonald's and tried out different accents - Italian, Russian, Irish.
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The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
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If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
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I view filmmaking as a director's medium.
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I was an English major at UCLA when I was 18, and then I left after a year to start acting. I was educating myself during that time.
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You're a white male living in America, brought up in one of the richest cities in the county, Palo Alto. You went to high school with Steve Jobs' daughter, and your journalism teacher is the mother-in-law of Sergey, co-founder of Google.
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I'm a big cardigan sweater guy.
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All I know is that when I needed McDonald’s, McDonald’s was there for me.
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I don't have many hobbies. If I think of hobbies, maybe ping pong. But I don't have a desire to get a ping pong medal.
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Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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I am actually turned off when I look at an account and don’t see any selfies, because I want to know whom I’m dealing with. In our age of social networking, the selfie is the new way to look someone right in the eye and say, 'Hello, this is me.'
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