Quote

I drank from the bottle again and it was a scary plunge because I always wanted to take too much. It hurt, but it was also impressive, like being in the hands of a bigger force. And because of that, a relief.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Hands
Bottle
Also
Impressive
Wanted
Bottles
Take
Relief
Much
Scary
Always
Bigger
Like
Hurt
Plunge
Force
Drank

More quotes by James Franco

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Sometimes it is painful to be oneself at other times it seems impossible to escape oneself.
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For some reason, when I was in junior high school, my friends and I had, like, a cologne-stealing ring.
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I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.
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When I was a young actor, I just didn’t understand how to function in this business as an artist. It is a business, it’s called the film business for a reason, there’s money involved ... But on the flip side, now I do not let the business side of it rule either. It’s a balance.
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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Showing the addiction and unusual sexual practices are ways of just outlining a much bigger character trait.
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You take advantage of your position as a famous actor to meet women.
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As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work it's like, it's you, and it's your emotions that they're working with.
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I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
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Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
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I teach a lot - I teach at the UCLA and USC graduate film programs - and a lot of those projects are my students' projects that I act in or I do a cameo.
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When I was younger, I didn’t know that I should just listen to my own voice, my own artistic sense of things when I was choosing projects, because one of the biggest creative decisions that an actor can make in the film business is what you will work on.
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The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
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I'm a big cardigan sweater guy.
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Not having any real direction, one writer would lead me to another.
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I worked the drive-through at McDonald's and tried out different accents - Italian, Russian, Irish.
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The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
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Sometimes rabbits, like, turn me on. I don't know why.
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When I read the book [The Adderall Diaries] I loved it, and I maybe had an inkling that there was a lot of good material in there. I didn't quite know at the time how to adapt it into a film, but I hoped I would figure it out one day.
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