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He was so. So dirty, and just moving in front of me, and cute. I was in love with him, especially because he was talking to me.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
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Especially
Talking
Moving
Love
Cute
Dirty
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The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
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I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.
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I have high aspirations. I want to be an architect.
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The number of women in power positions is a fraction of the number of men in such positions.
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When I was younger, I didn’t know that I should just listen to my own voice, my own artistic sense of things when I was choosing projects, because one of the biggest creative decisions that an actor can make in the film business is what you will work on.
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If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
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I loved the world of Oz. I guess as a young man, I was just drawn to fantasy worlds. I liked being transported to alternative realms where a lot of my early imagination was sparked.
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I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.
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I'm a big cardigan sweater guy.
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Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
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I get to work with incredibly talented young filmmakers and students, and their attitudes and relationship with film is still so pure. That re-inspires me and reminds me why I got into it and what I love about film, and allows me a little reprieve from the business side of it. And it rekindles my love of film.
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I'm an actor, I do movies, and I need to find somebody who enjoys that kind of stuff. It's not like, Oh, I have my work time, and we go on a date, and it better be darn fun and exciting! I think it should all coalesce a bit more.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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School allowed me to have outlets so that some of the pressure was taken off the acting. Every role in every movie, I used to live or die by. Once I had these new outlets, I relaxed a lot more.
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My style is casual-chic? Casual-messy?
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Generally you don't initiate the projects - they're designed and you're inserted. Your material is edited by somebody. You feel a lack of power over your work.
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We all age. You shouldn't discount it as a subject for a film. Just because the characters are dealing with issues that you might not deal with for another 45 years doesn't mean you won't like it.
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It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
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