Quote

He was so. So dirty, and just moving in front of me, and cute. I was in love with him, especially because he was talking to me.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Especially
Talking
Moving
Love
Cute
Dirty
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Front

More quotes by James Franco

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The selfie is the new way to look someone right in the eye and say, 'Hello, this is me.'
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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Sometimes it is painful to be oneself at other times it seems impossible to escape oneself.
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Sometimes I get a little sad, and I feel like being alone. Then I talk to my cat about it, and he reminds me I’m James Franco. Then we dance.
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As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work it's like, it's you, and it's your emotions that they're working with.
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I'm starting to teach now: I teach in the graduate film program at NYU and next year I'm going to be teaching at Los Angeles at the film program and English program at UCLA.
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Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
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Directing, editing, and everything about filmmaking has definitely changed me as an actor.
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Adapting a book is essentially a collaboration, whether the author is alive or dead.
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I was kind of scared of failing at acting.
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It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
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It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.
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I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
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The number of women in power positions is a fraction of the number of men in such positions.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
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I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.
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I don't cast somebody that I think is like my younger self.
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School allowed me to have outlets so that some of the pressure was taken off the acting. Every role in every movie, I used to live or die by. Once I had these new outlets, I relaxed a lot more.
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I teach a lot - I teach at the UCLA and USC graduate film programs - and a lot of those projects are my students' projects that I act in or I do a cameo.
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