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If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Working
Film
Something
Like
Shoot
Morning
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Not having any real direction, one writer would lead me to another.
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I loved the world of Oz. I guess as a young man, I was just drawn to fantasy worlds. I liked being transported to alternative realms where a lot of my early imagination was sparked.
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I was an English major at UCLA when I was 18, and then I left after a year to start acting. I was educating myself during that time.
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I feel there are so many things in this world that have been and are being created that I could spend the rest of my life thinking about, and I couldn't cover all the things I'm interested in. That to me is what makes life sweet-learning and exploring.
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I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.
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There's a long tradition of teen comedies where the kids are getting drunk on beer and whatever else, so smoking a joint to me is no worse than having a beer. So, if someone has a problem with it, I'll just tell them to relax.
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I view filmmaking as a director's medium.
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You're a white male living in America, brought up in one of the richest cities in the county, Palo Alto. You went to high school with Steve Jobs' daughter, and your journalism teacher is the mother-in-law of Sergey, co-founder of Google.
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For some reason, when I was in junior high school, my friends and I had, like, a cologne-stealing ring.
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I worked at a McDonald's drive-through. I could always tell when girls were interested: They'd drive around again and say, I forgot something.
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I'm an actor, I do movies, and I need to find somebody who enjoys that kind of stuff. It's not like, Oh, I have my work time, and we go on a date, and it better be darn fun and exciting! I think it should all coalesce a bit more.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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The wind came in languid gusts like whispered reminders.
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If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
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Adapting a book is essentially a collaboration, whether the author is alive or dead.
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I don't have many hobbies. If I think of hobbies, maybe ping pong. But I don't have a desire to get a ping pong medal.
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Generally you don't initiate the projects - they're designed and you're inserted. Your material is edited by somebody. You feel a lack of power over your work.
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Showing the addiction and unusual sexual practices are ways of just outlining a much bigger character trait.
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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