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If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Shoot
Morning
Working
Film
Something
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More quotes by James Franco
It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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I've come to a point where I just want to do movies that I just believe in. I have come to an understanding of filmmaking, a new understanding where I believe it's a director's medium. That means working with people that I believe in.
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There's no relationship that I find that's closer than a creative relationship.
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I feel there are so many things in this world that have been and are being created that I could spend the rest of my life thinking about, and I couldn't cover all the things I'm interested in. That to me is what makes life sweet-learning and exploring.
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I was an English major at UCLA when I was 18, and then I left after a year to start acting. I was educating myself during that time.
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I think as far as straight actors playing gay roles, Brokeback Mountain was a big breakthrough. I'm pretty sure when they were casting that movie that - I think the story is, like you know, 10 to 15 other actors turned it down.
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Sometimes it is painful to be oneself at other times it seems impossible to escape oneself.
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Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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He was so. So dirty, and just moving in front of me, and cute. I was in love with him, especially because he was talking to me.
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I always see nice images like that but I don't know what to do with them. I guess you share them with someone. Or you write them down in a poem. I had so many of those little images, but I never shared them or wrote any of them down.
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Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
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I worked at a McDonald's drive-through. I could always tell when girls were interested: They'd drive around again and say, I forgot something.
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When I read the book [The Adderall Diaries] I loved it, and I maybe had an inkling that there was a lot of good material in there. I didn't quite know at the time how to adapt it into a film, but I hoped I would figure it out one day.
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I love that the idea of examining memory, and the way memory is edited was made more interesting because it was being filtered through a writer.
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I'm starting to teach now: I teach in the graduate film program at NYU and next year I'm going to be teaching at Los Angeles at the film program and English program at UCLA.
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The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
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I used to care about how I looked. Now I don’t care as much. Maybe it’s because I’m so handsome.
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I was kind of scared of failing at acting.
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