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It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Hard
Relationships
Really
Figure
Figures
Based
Story
True
Film
Stories
More quotes by James Franco
Always have one artistic thing that is pure, at least one thing, where you don’t compromise. You can do other things to make money, but have one pure area.
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You say I sucked at the Oscars. I was a genius at the Oscars. That was experimental tuxedo sleep art.
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I used to care about how I looked. Now I don’t care as much. Maybe it’s because I’m so handsome.
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You are successful if you are able to work on the kind of material that you want to - if your life conforms to your dreams, regardless of outside acceptance or acclaim.
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The fame and the fame-hungry world we live in does it all for you. Women are lining up on your Instagram account to meet you.
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If many people love me, then I must be important.
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I worked at a McDonald's drive-through. I could always tell when girls were interested: They'd drive around again and say, I forgot something.
James Franco
I still don't like going to bed alone.
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Generally you don't initiate the projects - they're designed and you're inserted. Your material is edited by somebody. You feel a lack of power over your work.
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My style is casual-chic? Casual-messy?
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If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
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Directing, editing, and everything about filmmaking has definitely changed me as an actor.
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If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
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I was supposed to go out with this girl, but the plans mixed up because I was working late. So I went to her apartment with a flower. She was asleep, but I really wanted to see her. I figured I'd be like Romeo, and climbed up to her balcony and gave her a rose. She was very shocked. After that, it was over.
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I teach a lot - I teach at the UCLA and USC graduate film programs - and a lot of those projects are my students' projects that I act in or I do a cameo.
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Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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