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It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Hard
Relationships
Really
Figure
Figures
Based
Story
True
Film
Stories
More quotes by James Franco
I've come to a point where I just want to do movies that I just believe in. I have come to an understanding of filmmaking, a new understanding where I believe it's a director's medium. That means working with people that I believe in.
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I don't cast somebody that I think is like my younger self.
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There's a large chunk of me in all the parts. As an actor, I got involved largely because I want to let things out. The best acting is that that is most real and the only way to do that, is to genuinely feel it.
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I wouldn't want to live life in an untroubled garden, blissful and ignorant. I would want to get out into the world, and be a part of something. In a way I was born into the Garden of Eden, or as close as you can get in our world I was born white, male, and in Palo Alto. I had it pretty kush.
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You take advantage of your position as a famous actor to meet women.
James Franco
I drank from the bottle again and it was a scary plunge because I always wanted to take too much. It hurt, but it was also impressive, like being in the hands of a bigger force. And because of that, a relief.
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When I was a young actor, I just didn’t understand how to function in this business as an artist. It is a business, it’s called the film business for a reason, there’s money involved ... But on the flip side, now I do not let the business side of it rule either. It’s a balance.
James Franco
I view filmmaking as a director's medium.
James Franco
Showing the addiction and unusual sexual practices are ways of just outlining a much bigger character trait.
James Franco
If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
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When I read the book [The Adderall Diaries] I loved it, and I maybe had an inkling that there was a lot of good material in there. I didn't quite know at the time how to adapt it into a film, but I hoped I would figure it out one day.
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I worked the drive-through at McDonald's and tried out different accents - Italian, Russian, Irish.
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I start movies with people that I believe in and people with visions, you know, that I believe in. And so if it doesn't kind of come together in the right way, at least I was doing it because I believed in the person and the movie.
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He was so. So dirty, and just moving in front of me, and cute. I was in love with him, especially because he was talking to me.
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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Sometimes I get a little sad, and I feel like being alone. Then I talk to my cat about it, and he reminds me I’m James Franco. Then we dance.
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School allowed me to have outlets so that some of the pressure was taken off the acting. Every role in every movie, I used to live or die by. Once I had these new outlets, I relaxed a lot more.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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I was an English major at UCLA when I was 18, and then I left after a year to start acting. I was educating myself during that time.
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The number of women in power positions is a fraction of the number of men in such positions.
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