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It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.
James Franco
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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Surrendering
Bedroom
Dark
Night
Feels
Something
Really
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More quotes by James Franco
This was the way the night had cashed in. Choices had been made and things happened, and here we were. It was sad, and funny. My life was made of this. Stuff like this.
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I worked at a McDonald's drive-through. I could always tell when girls were interested: They'd drive around again and say, I forgot something.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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Acting is an art form and you want to take roles that are challenged and it's more of a challenge I think to play dark characters. Not that I want to always play those, but it is a challenge and challenges are rewarding and fun.
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If liking Katy Perry and drinking margaritas is gay, then who wants to be straight?!
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Not having any real direction, one writer would lead me to another.
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I love to bring humour into my work. Because comedy is not a huge part of the art world. And big-business film takes itself very seriously.
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I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.
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I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
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As an actor in the classroom, you're revealing so much, and teachers are, you know, they're just critiquing like a painting or a piece of work it's like, it's you, and it's your emotions that they're working with.
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I'm an actor, I do movies, and I need to find somebody who enjoys that kind of stuff. It's not like, Oh, I have my work time, and we go on a date, and it better be darn fun and exciting! I think it should all coalesce a bit more.
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Adapting a book is essentially a collaboration, whether the author is alive or dead.
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School allowed me to have outlets so that some of the pressure was taken off the acting. Every role in every movie, I used to live or die by. Once I had these new outlets, I relaxed a lot more.
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If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
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The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
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The fame and the fame-hungry world we live in does it all for you. Women are lining up on your Instagram account to meet you.
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I'm a big cardigan sweater guy.
James Franco
You take advantage of your position as a famous actor to meet women.
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The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
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I teach a lot - I teach at the UCLA and USC graduate film programs - and a lot of those projects are my students' projects that I act in or I do a cameo.
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