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It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.

James Franco

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James Franco
Age: 46
Born: 1978
Born: April 19
Actor
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Teacher
Television Actor
Television Presenter
Writer
Palo Alto
California
James Edward Franco
Surrendering
Bedroom
Dark
Night
Feels
Something
Really
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I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
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I start movies with people that I believe in and people with visions, you know, that I believe in. And so if it doesn't kind of come together in the right way, at least I was doing it because I believed in the person and the movie.
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I have high aspirations. I want to be an architect.
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I get to work with incredibly talented young filmmakers and students, and their attitudes and relationship with film is still so pure. That re-inspires me and reminds me why I got into it and what I love about film, and allows me a little reprieve from the business side of it. And it rekindles my love of film.
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If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
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I view filmmaking as a director's medium.
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Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
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The Wolfpack is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
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I was supposed to go out with this girl, but the plans mixed up because I was working late. So I went to her apartment with a flower. She was asleep, but I really wanted to see her. I figured I'd be like Romeo, and climbed up to her balcony and gave her a rose. She was very shocked. After that, it was over.
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I love that the idea of examining memory, and the way memory is edited was made more interesting because it was being filtered through a writer.
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Teens today rule the world. The whole culture - movies, music - is pointed at young people. They have so 'much' power.
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I've decided I can't really control people's perceptions of me. All I can do is decide on what I work on and how hard I work on it.
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There's a long tradition of teen comedies where the kids are getting drunk on beer and whatever else, so smoking a joint to me is no worse than having a beer. So, if someone has a problem with it, I'll just tell them to relax.
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I feel there are so many things in this world that have been and are being created that I could spend the rest of my life thinking about, and I couldn't cover all the things I'm interested in. That to me is what makes life sweet-learning and exploring.
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I love to bring humour into my work. Because comedy is not a huge part of the art world. And big-business film takes itself very seriously.
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I'm an actor, I do movies, and I need to find somebody who enjoys that kind of stuff. It's not like, Oh, I have my work time, and we go on a date, and it better be darn fun and exciting! I think it should all coalesce a bit more.
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Always have one artistic thing that is pure, at least one thing, where you don’t compromise. You can do other things to make money, but have one pure area.
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