Quote

The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where open form or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term heightened speech.

James Fenton

Change background

T
T
T

Change font

TAGS & TOPICS

James Fenton
Age: 75
Born: 1949
Born: May 25
Author
Correspondent
Journalist
Literary Critic
Opinion Journalist
Poet
University Teacher
Writer
James M. Fenton
James Martin Fenton
Even
Memories
Verses
Open
Raising
Term
Begins
Prolonged
Free
Memory
Heightened
Voice
Raised
Modernism
Form
Places
Aftermath
Today
Speech
Orthodoxy
Find
Poetry
Verse

More quotes by James Fenton

Image
The Mormon mission to Africa, as to other dark-skinned parts of the world, was for a long time hobbled by the racism of the movement's scripture.
James Fenton
Image
At four lines, with the quatrain, we reach the basic stanza form familiar from a whole range of English poetic practice. This is the length of the ballad stanza, the verse of a hymn, and innumerable other kinds of verse.
James Fenton
Image
When Mr Ackroyd says that in the 18th century, stranglers bit off the noses of their victims, I feel that he probably knows what he is talking about. I just wish he hadn't told me.
James Fenton
Image
Hearing that the same men who brought us 'South Park' were mounting a musical to be called 'The Book of Mormon,' we were tempted to turn away, as from an inevitable massacre.
James Fenton
Image
Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.
James Fenton
Image
Generally speaking, rhyme is the marker for the end of a line. The first rhyme-word is like a challenge thrown down, which the poem itself has to respond to.
James Fenton
Image
Free verse seemed democratic because it offered freedom of access to writers. And those who disdained free verse would always be open to accusations of elitism, mandarinism. Open form was like common ground on which all might graze their cattle - it was not to be closed in by usurping landlords.
James Fenton
Image
My feeling is that poetry will wither on the vine if you don't regularly come back to the simplest fundamentals of the poem: rhythm, rhyme, simple subjects - love, death, war.
James Fenton
Image
Imitation, if it is not forgery, is a fine thing. It stems from a generous impulse, and a realistic sense of what can and cannot be done.
James Fenton
Image
Oh let us not be condemned for what we are. It is enough to account for what we do.
James Fenton
Image
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
James Fenton
Image
Poetry carries its history within it, and it is oral in origin. Its transmission was oral.
James Fenton
Image
For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art.
James Fenton
Image
One problem we face comes from the lack of any agreed sense of how we should be working to train ourselves to write poetry.
James Fenton
Image
Great poetry does not have to be technically intricate.
James Fenton
Image
Windbags can be right. Aphorists can be wrong. It is a tough world.
James Fenton
Image
I don't see that a single line can constitute a stanza, although it can constitute a whole poem.
James Fenton
Image
I prefer writing in the mornings, so to that extent I have a routine. I do reading and other things in the afternoon.
James Fenton
Image
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
James Fenton
Image
The composer does not want the self-sufficiency of a richly complex text: he or she wants to feel that the text is something in need of musical setting.
James Fenton