A generic vampire tale in the Underworld vein that comes closer to the infamous Van Helsing than a memorable re-interpretation of a legendary monster.

Although The Terminator is arguably the more visionary of the first two films, [Terminator 2] is the more visually and viscerally satisfying. It's an exhausting experience and, even 18 years after its release (as I write this review), few films have matched it within the science fiction genre for sheer white-knuckle exhilaration.

There's good news and bad news about 2 Fast 2 Furious, the moronic follow-up to The Fast and the Furious and a contender for the worst movie of 2003. The good news is that it's better, albeit marginally, than Freddy Got Fingered. The bad news is that it's 15 minutes longer.

There's nothing terribly wrong with The November Man in a serviceable late-night cable TV sort of way but neither is there anything terribly right about it. It's unnecessary and derivative.

Being snarky and smug doesn't equate to providing insight, and there's more than one occasion when the filmmakers lose sight of this in their zeal to spread the Gospel According to Maher.

If you thought it was impossible for a film to contain less effective comedy than Date Movie, here's evidence to the contrary.

This is as brain-dead as a movie can be and it assumes the audience will have the I.Q. of a rutabaga.

The Phantom Menace is not a masterpiece, but it's an example of how imagination, craftsmanship, and technological bravura can fashion superior entertainment out of something that is far from flawless.

Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.

The Drop's unpredictability is organic rather than sensationalistic. The movie doesn't pull surprises out of thin air for the sole purpose of shocking an audience - it lets them develop naturally.