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I am like a child ready for the apocalypse, I am the apocalypse itself, that is to say, the ultimate and first event of the end, the unveiling and the verdict.

Jacques Derrida

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Jacques Derrida
Age: 74 †
Born: 1930
Born: July 15
Died: 2004
Died: October 9
Literary Critic
Philosopher
University Teacher
Writer
Jackie Derrida
Jackie Elie Derrida
Jackie Élie Derrida
J. Derrida
Ends
Unveiling
Firsts
Verdict
First
Apocalypse
Children
Event
Like
Ultimate
Events
Ready
Child

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We are all mediators, translators.
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Such a caring for death, an awakening that keeps vigil over death, a conscience that looks death in the face, is another name for freedom.
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These critics organize and practice in my case a sort of obsessive personality cult which philosophers should know how to question and above all, to moderate.
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In philosophy, you have to reckon with the implicit level of an accumulated reserve, and thus with a very great number of relays, with the shared responsibility of these relays.
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Cinema plus Psychoanalysis equals the Science of Ghosts.
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Surviving - that is the other name of a mourning whose possibility is never to be awaited.
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I wrote some bad poetry that I published in North African journals, but even as I withdrew into this reading, I also led the life of a kind of young hooligan.
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Contrary to what phenomenology- which is always phenomenology of perception- has tried to make us believe, contrary to what our desire cannot fail to be tempted into believing, the thing itself always escapes.
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The blindness that opens the eye is not the one that darkens vision. Tears and not sight are the essence of the eye.
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I’m no good for anything except taking the world apart and putting it together again (and I manage the latter less and less frequently).
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I would like to write you so simply, so simply, so simply. Without having anything ever catch the eye, excepting yours alone, ... so that above all the language remains self-evidently secret, as if it were being invented at every step, and as if it were burning immediately
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I always dream of a pen that would be a syringe.
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No one gets angry at a mathematician or a physicist whom he or she doesn't understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.
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The first problem of the media is posed by what does not get translated, or even published in the dominant political languages.
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The trace I leave to me means at once my death, to come or already come, and the hope that it will survive me. It is not an ambition of immortality it is fundamental. I leave here a bit of paper, I leave, I die it is impossible to exit this structure it is the unchanging form of my life. Every time I let something go, I live my death in writing.
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I am one of those marranes who no longer say they are Jews even in the secret of their own hearts.
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As soon as there is language, generality has entered the scene.
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Actually, when I write, there is a feeling of necessity, of something that is stronger than myself that demands that I must write as I write.
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There is nothing outside of the text. [Fr., Il n'y a pas de hors-texte.]
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Every discourse, even a poetic or oracular sentence, carries with it a system of rules for producing analogous things and thus an outline of methodology.
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