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I do everything I think possible or acceptable to escape from this trap.

Jacques Derrida

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Jacques Derrida
Age: 74 †
Born: 1930
Born: July 15
Died: 2004
Died: October 9
Literary Critic
Philosopher
University Teacher
Writer
Jackie Derrida
Jackie Elie Derrida
Jackie Élie Derrida
J. Derrida
Traps
Acceptable
Escape
Possible
Everything
Think
Thinking
Trap

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I love language as I love life itself!
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Every discourse, even a poetic or oracular sentence, carries with it a system of rules for producing analogous things and thus an outline of methodology.
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Beyond the touchline there is nothing.
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We are all mediators, translators.
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Even if we're in a state of hopelessness, a sense of expectation is an integral part of our relationship to time. Hopelessness is possible only because we do hope that some good, loving someone could come. If that's what Heidegger meant, then I agree with him.
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I would like to write you so simply, so simply, so simply. Without having anything ever catch the eye, excepting yours alone, ... so that above all the language remains self-evidently secret, as if it were being invented at every step, and as if it were burning immediately
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I am one of those marranes who no longer say they are Jews even in the secret of their own hearts.
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The circle of the return to birth can only remain open, but this is a chance, a sign of life, and a wound.
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But can one not conceive of a presence, and of a presence to itself of the subject before speech or signs, a presence to itself of the subject in a silent and intuitive consciousness? Such a question therefore presupposes that, prior to the sign, and outside it, excluding any trace and any différance, something like consciousness is possible.
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I’m no good for anything except taking the world apart and putting it together again (and I manage the latter less and less frequently).
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As soon as there is language, generality has entered the scene.
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I say things that contradict each other, that are in real tension with each other, that compose me, that make me live, and that will make me die.
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I am like a child ready for the apocalypse, I am the apocalypse itself, that is to say, the ultimate and first event of the end, the unveiling and the verdict.
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The trace I leave to me means at once my death, to come or already come, and the hope that it will survive me. It is not an ambition of immortality it is fundamental. I leave here a bit of paper, I leave, I die it is impossible to exit this structure it is the unchanging form of my life. Every time I let something go, I live my death in writing.
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I always dream of a pen that would be a syringe.
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I have always had school sickness, as others have seasickness. I cried when it was time to go back to school long after I was old enough to be ashamed of such behavior.
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Such a caring for death, an awakening that keeps vigil over death, a conscience that looks death in the face, is another name for freedom.
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Actually, when I write, there is a feeling of necessity, of something that is stronger than myself that demands that I must write as I write.
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I wrote some bad poetry that I published in North African journals, but even as I withdrew into this reading, I also led the life of a kind of young hooligan.
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If things were simple, word would have gotten around.
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