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I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.
Jacqueline Bisset
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Jacqueline Bisset
Age: 80
Born: 1944
Born: September 13
Actor
Actress
Film Actor
Model
Television Actor
Weybridge
Surrey
Winifred Jacqueline Fraser Bisset
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Short
People
Truly
Devastated
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Wraps
Business
Circle
Film
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Become
Circles
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Period
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At first I was always cast as the girlfriend. It was a long time before I got to play characters who were people.
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The thing about anything in life is you have to get ready for it. Study, learn.
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I'd like to work more, but I don't just want to do kind of generic characters. I want to do interesting characters, and I'd like to be cast against type.
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I want to keep my attractiveness as long as I can. It has to do with vitality and energy and interest.
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I think I am an adult.
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There is an eternal humanity that crosses through all people, and it's more interesting often when it's about struggle - not people with champagne glasses.
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Character contributes to beauty. It fortifies a woman as her youth fades.
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At the time, 1980, people regarded actresses involved with production with a certain amount of fear, resentment and anger.
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I grew up in a small town about 40 miles outside London, but it was a fairly cosmopolitan household.
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If people choose to judge how you look, that's their situation. I didn't feel that it was a problem. I've played all kinds of parts. I've played glamorous, and unglamorous, and all kinds of people. People want to pigeon hole you, I think.
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A Latin teacher told me I might make a good actress, and that stuck in my memory. I did some modeling, and Polanski gave me that small part.
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I'm a perfectionist. I need to be needed. I need to do things for a man. But I don't need to do them as much, these days.
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I was never any good in the school theatrical productions. I always got a role like the March Hare.
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To be used in a part without depth is a frustrating feeling, when you know you have something to give.
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You need to get in touch with your body ... do dance, movement, learn to be supple, or be someone who's coordinated, preferably. You have to study, train, and you don't have to go to school necessarily, you can teach yourself a lot of stuff.
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This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young. It's not an intellectual cinema in America.
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