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Making the decision to do more serious work raises eyebrows. It's less easy for the industry to deal with.

Jacqueline Bisset

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Jacqueline Bisset
Age: 80
Born: 1944
Born: September 13
Actor
Actress
Film Actor
Model
Television Actor
Weybridge
Surrey
Winifred Jacqueline Fraser Bisset
Making
Eyebrows
Easy
Raises
Work
Deal
Industry
Deals
Serious
Decision
Less

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To be used in a part without depth is a frustrating feeling, when you know you have something to give.
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Character contributes to beauty. It fortifies a woman as her youth fades.
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I'm a perfectionist. I need to be needed. I need to do things for a man. But I don't need to do them as much, these days.
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Best beauty tip is forgiveness for yourself and others
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My view is quite simple. When your dog pees on the carpet, you do not give away your dog. You say, This dog is special. I have to teach him not to pee on the carpet. I feel exactly the same way about men. They need to be taught things.
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A Latin teacher told me I might make a good actress, and that stuck in my memory. I did some modeling, and Polanski gave me that small part.
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I think I am an adult.
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You need to get in touch with your body ... do dance, movement, learn to be supple, or be someone who's coordinated, preferably. You have to study, train, and you don't have to go to school necessarily, you can teach yourself a lot of stuff.
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Success as a woman has changed me. That's what I feel is the first thing. When I feel like a successful woman as a rounded human being, then it feeds my work in a broader way so it becomes more interesting.
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Character contributes to beauty.
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I'd like to work more, but I don't just want to do kind of generic characters. I want to do interesting characters, and I'd like to be cast against type.
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I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.
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I wanted to go to acting school, and I did a few modeling jobs to pay for acting school. I never aspired to be a model. I met lots of photographers, and I learned a lot about light - as a source of love and illumination, light as a gift of love. On film, that's a massive contribution.
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At the time, 1980, people regarded actresses involved with production with a certain amount of fear, resentment and anger.
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You can sometimes learn more working with less talented people, because you learn to survive.
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I could never have conceived that I would ever get to work in a Truffaut film. It was astonishing to me, and still is. I felt like an old pro, but it was still so unexpected.
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What comes first in a relationship is lust - then more lust.
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I have an intense obsession with making films. I not only love to make films, I perhaps need to make films.
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If people choose to judge how you look, that's their situation. I didn't feel that it was a problem. I've played all kinds of parts. I've played glamorous, and unglamorous, and all kinds of people. People want to pigeon hole you, I think.
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I want to keep my attractiveness as long as I can. It has to do with vitality and energy and interest.
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