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Energy and motion made visible – memories arrested in spaceTechnic is the result of a need new needs demand new technics total control denial of the accident States of order organic intensity energy and motion made visible memories arrested in space, human needs and motives acceptance.

Jackson Pollock

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Jackson Pollock
Age: 44 †
Born: 1912
Born: January 28
Died: 1956
Died: August 11
Artist
Drawer
Painter
Printmaker
Cody
Wyoming
Paul Jackson Pollock
jackson Pollock
States
Acceptance
Arrested
Human
Result
Organic
Need
Demand
Accident
Needs
Memories
Motion
Made
Control
Intensity
Space
Denial
Energy
Visible
Order
Total
Motives

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The painting has a life of its own
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How do you know when you're finished making love?
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Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
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I want to express my feelings, not illustrate them.
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As to what I would like to be, it is difficult to say. An artist of some kind. If nothing else I shall always study the Arts.
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Painting is no problem. The problem is what to do when you're not painting.
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I don't use the accident - 'cause I deny the accident
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I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.
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New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
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People have always frightened and bored me consequently I have been within my own shell.
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A man's life is his work his work is his life.
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The painter locks himself out of his own studio. And then has to break in like a thief.
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I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
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Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn’t touch the surface on the canvas, it’s just above [so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
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The process is only a means to an end-creating the painting I want. It doesn't mean anything itself. It's only a way of creating a result.
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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
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When I am painting I have a general notion as to what I am about. I can control the flow of paint: there is no accident.
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The modern artist is working with space and time, and expressing his feelings rather than illustrating.
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When I am in my painting, I'm not aware of what I'm doing.
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On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
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