Quote

I've been thinking of death a lot, and I am amazed by its inevitability, frightened, as we all are, of the totally unknown, and yet feel a long sleep is somehow earned by those of us who live on the edge.

Jackson Pollock

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Jackson Pollock
Age: 44 †
Born: 1912
Born: January 28
Died: 1956
Died: August 11
Artist
Drawer
Painter
Printmaker
Cody
Wyoming
Paul Jackson Pollock
jackson Pollock
Live
Edge
Feel
Unknown
Feels
Edges
Long
Somehow
Thinking
Totally
Inevitability
Dying
Earned
Sleep
Amazed
Death
Frightened

More quotes by Jackson Pollock

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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
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I hardly ever stretch the canvas before painting.
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I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
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The secret of success is… to be fully awake to everything about you.
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How do you know when you're finished making love?
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The painter locks himself out of his own studio. And then has to break in like a thief.
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My opinion is that new needs need new techniques. And the modern artists have found new ways and new means of making their statements.
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It seems to me that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age find its own technique.
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Painting is self-discovery. Every good artist paints what he is.
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Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn’t touch the surface on the canvas, it’s just above [so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
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A man's life is his work his work is his life.
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All cultures have had means and techniques of expressing their immediate aims - the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves.
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I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.
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When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
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When I am painting I have a general notion as to what I am about. I can control the flow of paint: there is no accident.
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I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.
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It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
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Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
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The painting has a life of its own
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The pictures I contemplate painting would constitute a halfway state and attempt to point out the direction of the future - without arriving there completely
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