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I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.

Jackson Pollock

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Jackson Pollock
Age: 44 †
Born: 1912
Born: January 28
Died: 1956
Died: August 11
Artist
Drawer
Painter
Printmaker
Cody
Wyoming
Paul Jackson Pollock
jackson Pollock
Tools
Continue
Painting
Easel
Artist
Palette
Away
Brushes
Etc
Usual
Painter

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I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
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The process is only a means to an end-creating the painting I want. It doesn't mean anything itself. It's only a way of creating a result.
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My concern is with the rhythms of nature I work inside out, like nature.
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I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
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When I am painting I have a general notion as to what I am about. I can control the flow of paint: there is no accident.
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Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn’t touch the surface on the canvas, it’s just above [so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
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It doesn't matter how the paint is put on, as long as something is said.
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New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
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People have always frightened and bored me consequently I have been within my own shell.
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A method of painting is a natural growth out of a need. I want to express my feelings rather than illustrate them. Technique is just a means of arriving at a statement.
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All cultures have had means and techniques of expressing their immediate aims - the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves.
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It seems to me that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age find its own technique.
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When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
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The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.
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I want to express my feelings, not illustrate them.
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The painter locks himself out of his own studio. And then has to break in like a thief.
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On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
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As to what I would like to be, it is difficult to say. An artist of some kind. If nothing else I shall always study the Arts.
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It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.
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