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I know that's blasphemous when you are from Detroit, but I was never a fan of Motown stuff. I don't care for the production much.

Jack White

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Jack White
Age: 49
Born: 1975
Born: July 9
Actor
Composer
Drummer
Guitarist
Mandolinist
Musician
Pianist
Record Producer
Recording Artist
Singer
Singer-Songwriter
Detroit
Michigan
John Anthony Gillis
Jack III White
John Anthony White
Care
Much
Never
Blasphemous
Motown
Detroit
Production
Stuff

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There have been three times. Once I got in a car accident and shattered my finger. A few years ago I didn't feel like being alive. That's all I can say.
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I love him (Muse) too much, and you can't hurt someone that you love that much . . . unless you're family.
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I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker. 'This is your box, and you're not allowed to stray outside of it.'
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I've always worked to find really deep meaning of song and also at the same time having it covered in sugar, so it can be taken two or three different ways.
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I think you can't really escape any kind of spiritual education as a child, whether it's New Age or Judaism or Buddhism or whatever it is. You can't escape it, even if you completely disagree with it, you still have it as a foundation that you base things off of.
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Punk is an attitude, not a genre, age group, or time period. What's interesting is trying to define the blues and punk in different ways. They are very close cousins.
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I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.
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I made a rule for myself in my early 20s not to become a record collector in the sense that I reference all my old records. I can't live like that. I'd just be trapped in comparison, trying to emulate something, so I made a rule to just buy what I need, just the records I need.
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I gave myself over to music and art a long time ago, so I don't get to relax and I don't get to sit still. The best I can do is constantly create my own environment so it benefits what I need to accomplish in the next step.
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Relationships of any kind are powerful, and they always influence an artist. It's inescapable.
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I think it takes a lot of trickery to keep up with the media and its perception of you. I don't know if I have it in me most of the time to care. The music is made first, and the interviews or photos to keep it alive come later as a necessary evil, I suppose.
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I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange.
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Your attitude is more important than the events happening around you. Artists develop a syndrome taught in art schools. It is a malady titled, 'Artistic Temperament'... rudeness, excuses, slovenliness, laziness, clutter, addictions, non-commercial attitudes, un-professionalism... and a good reason for failure.
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The Bottom Line: If people don't LOVE our work, we will not be able to sell what we make.
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The only person who is hurt by jealousy is you... Eliminate that word from your life... it may not make you unsuccessful selling your art, but it will destroy your happiness.
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What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
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If you have twenty guys in the room and you just bring in one girl, you change the entire mood and everyone plays different.
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That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background we need to take that out' - or somebody hit a bad note. Those are all the best moments.
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I dabbled in things like Howlin' Wolf, Cream and Led Zeppelin, but when I heard Son House and Robert Johnson, it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.
Jack White