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I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker. 'This is your box, and you're not allowed to stray outside of it.'

Jack White

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Jack White
Age: 49
Born: 1975
Born: July 9
Actor
Composer
Drummer
Guitarist
Mandolinist
Musician
Pianist
Record Producer
Recording Artist
Singer
Singer-Songwriter
Detroit
Michigan
John Anthony Gillis
Jack III White
John Anthony White
Female
Stray
Outside
Females
Friend
Worker
Wife
Girlfriend
Felt
Boxes
Always
Allowed
Life
Ridiculous
Workers

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People talk about wanting amenities - downtown is the amenity.
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Maybe we should all just listen to records and quit our jobs
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I never wanted to play guitar when I was younger. I wanted to be a drummer because everybody plays guitar, and I didn't want to do what everybody else wanted to do.
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If you emphasize one part of the song, it trivializes the rest of the music.
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Art doesn't sell itself, it has to be sold.
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I think the most important thing is to start with something that fits perfectly. Don't worry about having it in five colors.
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Well you're in your little room and you're working on something good but if it's really good you're gonna need a bigger room and when you're in the bigger room you might not know what to do you might have to think of how you got started sitting in your little room
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I think you can't really escape any kind of spiritual education as a child, whether it's New Age or Judaism or Buddhism or whatever it is. You can't escape it, even if you completely disagree with it, you still have it as a foundation that you base things off of.
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I dabbled in things like Howlin' Wolf, Cream and Led Zeppelin, but when I heard Son House and Robert Johnson, it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.
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I probably could have a hip-hop-style entourage of 40 people coming with me to the club or whatever, and I don't do that. And I think sometimes maybe I should. It just makes things easier - if you don't like being by yourself, maybe just don't do it ever.
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Many days you will want to give up because of rejections and failures. Passion to be an artist will help you prevail where others fail.
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It is not the style but the quality and emotional impact of work that makes it marketable. Unless we make art that connects with people, we won't sell much, no matter what the style or subject.
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I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!' It weeds out people who wouldn't care anyway.
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Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.
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That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background we need to take that out' - or somebody hit a bad note. Those are all the best moments.
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I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I'm not supposed to tell the horn section what to play or I don't want to come off egotistical.
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I know that's blasphemous when you are from Detroit, but I was never a fan of Motown stuff. I don't care for the production much.
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Technology is a big destroyer of emotion and truth. Auto-tuning doesn’t do anything for creativity. Yeah, it makes it easier and you can get home sooner but it doesn’t make you a more creative person. That’s the disease we have to fight in any creative field: ease of use.
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In all my songs, I take on roles and play characters. It's a unique way to explore ideas and decisions I might not think or make in real life.
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Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers.
Jack White