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I'd had a belly-full of being subservient. I had to find something else to do, and I did. I went to the animation houses. I went to new fields.

Jack Kirby

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Jack Kirby
Age: 76 †
Born: 1917
Born: August 28
Died: 1994
Died: February 6
Animator
Artist
Character Designer
Comics Writer
Inker
Penciller
Storyboard Artist
New York City
New York
Jacob Kurtzberg
House
Else
Subservient
Find
Animation
Something
Belly
Houses
Fields
Went
Full

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Of course, mothers were very conventional, everything was very conventional. You had to have approval.
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I like entertainment. I'm an innate admirer of good entertainment. I'll listen to MTV, I'll listen to Mozart, I'll listen to anything that has a good element in it.
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My anatomy was self-taught. I feel everybody has that ability. I drew instinctively. Mine was an instinctive style.
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I write from a people's point of view. I love people because I understand them. I understand an enemy, I understand a friend, I understand grey areas, and I understand black areas.
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Nobody ever wrote a story for me. I told in every story what was really inside my gut, and it came out that way. My stories began to get noticed because the average reader could associate with them.
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Aw, where we come from the Anti-Life Equation is one of many others--almost as awesome!! But they merely exist!!
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I admired anybody who could make a buck with his drawing.
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Some of my friends became gangsters. You became a gangster depending upon how fast you wanted a suit. Gangsters weren't the stereotypes you see in the movies. I knew the real ones, and the real ones were out for big money.
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I had very high respect for the Pratt Institute, but I thought that I had done my best, and that was not their version of the best.
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I'm OMAC! Evacuate this section! I'm going to destroy it!
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Our dreams make us large.
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I hated to fight all the time just to enjoy my day. Fighting wasn't the kind of thing that I enjoyed, but I grew to enjoy it because I did it so long.
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I would've liked to have been a better businessman when I was younger. And of course, I couldn't, because it wasn't part of my atmosphere. I never lived with accountants, I never lived with lawyers.
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I want to be better than five guys. I was that way when I used to box, I was that way in any sport. I want to compete with five other guys. If I beat five other guys, I'd like to see if I can beat six.
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I never had stock endings. I didn't believe in stock endings. To make the [reader] happy was not my objective, but to make the [reader] say, Yeah, that's what would happen - that was my objective.
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My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.
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I've never done anything bad. I can't do anything bad. It's got to be professional. It's got to look professional. It's got to read professional. In other words, it serves its purpose by entertaining a reader.
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I'm not interested in the ego trip of creating or not creating. I'm interested in selling a magazine. Rock-bottom, I sell magazines. I'm a thorough professional who does his job.
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Everybody can draw, in my estimation. If you give a man 50 years, he'll come up with the Mona Lisa.
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I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.
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