Quote

I never duck out of a fight I don't care what the hell the odds are, and I'm rough at times, but I try to be a decent guy all the time. That's the way I've always lived.

Jack Kirby

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Jack Kirby
Age: 76 †
Born: 1917
Born: August 28
Died: 1994
Died: February 6
Animator
Artist
Character Designer
Comics Writer
Inker
Penciller
Storyboard Artist
New York City
New York
Jacob Kurtzberg
Care
Rough
Trying
Decent
Way
Lived
Always
Fight
Never
Hell
Time
Guy
Duck
Fighting
Ducks
Times
Odds

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Aw, where we come from the Anti-Life Equation is one of many others--almost as awesome!! But they merely exist!!
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I was an artist, but not a self-proclaimed great artist, just a common man who was working in a form of art which is universal.
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I've done my job extremely well. My only beef is that a lot of people have put their fingers in whatever I've done and tried to screw it up, and I've always resented that.
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When Superman came out it galvanized the entire industry. It's just part of the American scene.
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Nobody ever wrote a story for me. I told in every story what was really inside my gut, and it came out that way. My stories began to get noticed because the average reader could associate with them.
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I draw people as I see them. I'm not involved in making artistic masterpieces. My, my object is to mirror people and I've always done that.
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I'd had a belly-full of being subservient. I had to find something else to do, and I did. I went to the animation houses. I went to new fields.
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I hated to fight all the time just to enjoy my day. Fighting wasn't the kind of thing that I enjoyed, but I grew to enjoy it because I did it so long.
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You fought fair. If the other guy wants to fight and you knocked him out, you did your best for him. You didn't want to hurt him any more.
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It's not in the draftsmanship, it's in the man. Like I say, a tool is dead. A brush is a dead object. It's in the man. If you want to do it, you do it.
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My style is personal, my style of writing is personal, and I believe in that. I believe what comes out of me is an individual thing, and that's why I, I believe in the individual.
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My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.
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I wasn't the kind of student that Pratt was looking for. They wanted patient people who would work on something forever. I didn't want to work on any project forever. I intended to get things done.
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Any kind of music can be written badly and it can be written wonderfully. I admire a top performer in any field.
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I'm OMAC! Evacuate this section! I'm going to destroy it!
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I write from a people's point of view. I love people because I understand them. I understand an enemy, I understand a friend, I understand grey areas, and I understand black areas.
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Nobody ever asked me to do anything. Nobody knew what to do. When comics were brand new, nobody knew what kind of comics to make. So you were mostly on your own.
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Comics have a caste system - an editor has to act in a certain way, an artist has to be humble.
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There were very strict social conventions, and you adhered to it, and I think it gave you a lot of character. When a man said something, he meant it. He wasn't kidding around. There were no jokes involved. Nobody was in the mood to joke unless you hit a guy with a baseball bat.
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I came out of school one day, and there was this pulp magazine. It was a rainy day, and it was floating toward the sewer in the gutter. So I pick up this pulp magazine, and it's Wonder Stories, and it's got a rocket-ship on the cover, and I'd never seen a rocket-ship.
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