I'm the kind of person that, as a listener, will go the extra mile to interpret something that's fairly meaningless, or that might be meaningless.

The fact of picking up an instrument and writing a song and expressing yourself publicly has a powerful political dimension.

I think Supernatural is the last WB show that's still on the air. It came from The WB and transitioned to The CW. I've been with The CW from the start of The CW, and it says a lot for our network and for our studio that they stood by the show and continued to keep the show high on their priorities list.

The Grammys thing doesn't even touch my world at all.

I'm no good at predicting what will endure with people. I only know what speaks to me.

I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, Oh! That's okay, I'll just cut and paste the verse!

Who's got the most heartbreaking voice? I don't know. Tough question.

I'm a terrible drummer. I can tune 'em pretty good, but I'm a pretty bad drummer.

There are a few artists that I'm really into. I mean, I'm a big Nick Cave fan. And there's a band from Australia called Big Heavy Stuff that's one of my favorite bands ever.

I worry about financial security, and the older I get the more I worry about it.

Tim [Omundson] is just so wonderfully delicious. He has the sexiest beard on television. He's such a fabulous actor, and a great character.

I always feel like the less I think of stage presence, the better, because then I have to face the fact that I have really complicated guitar parts, I'm singing almost all the time, and I have like six pedals I've got to keep on top of

One of my favorite things as an engineer is watching a band get comfortable in the studio and getting a great take. Like, they're playing the song, warming up, and then suddenly, the communication really happens and everybody's really in the song, and they nail it, and then that's the take.

When I run across something that feels like a real eye-opener, it's gonna have an influence on me forever.

For most of the projects I've worked on, I've been entrusted with some degree of musical responsibility, even if it's just like coaching for vocals and stuff.