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Despair ... is like a gas, odourless, tasteless, without nourishment. You breathe it in, your limbs relax, you cease to care, even at the moment when the steel touches your throat.
J. M. Coetzee
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J. M. Coetzee
Age: 84
Born: 1940
Born: January 1
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University Teacher
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Cape Town
South Africa
John Maxwell Coetzee
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Gas
More quotes by J. M. Coetzee
The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role.
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I don't think we are ready to die, any of us, not without being escorted.
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I tend to resist invitations to interpret my own fiction.
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Restoration is a skilled profession. You might even call it an art in its own right, except that it is frowned on to be original. First rule of restoration: follow the intention of the artist. Never try to improve on him.
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Denunciations of the manipulativeness of advertisers can unfortunately all too easily be turned on their heads into denunciations of the gullibility of consumers. Both are forms of scapegoating, neither accomplishes anything.
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Was it serious? I don't know. It certainly had serious consequences.
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All over the world, as governments retreat from their traditional duty to foster the common good and reconceive of themselves as mere managers of national economies, universities have been coming under pressure to turn themselves into training schools equipping young people with the skills required by a modern economy.
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To the last we have learned nothing. In all of us, deep down, there seems to be something granite and unteachable. No one truly believes, despite the hysteria in the streets that the world of tranquil certainties we were born into is about to be extinguished.
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The gods, the immortals, were the inventors of death and corruption yet with one or two notable exceptions they have lacked the courage to try their invention out on themselves.
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His own opinion, which he does not air, is that the origin of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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Pleasure is hard to come by, but pain is everywhere these days, I must learn to subsist on it.
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Perhaps we invented the gods so that we could put the blame on them. They gave us permission to eat flesh. They gave us permission to play with unclean things. It's not our fault, it's theirs. We're just their children.
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I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world.
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There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.
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Where civilization entailed the corruption of barbarian virtues and the creation of dependent people, I decided, I was opposed to civilization.
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There is first of all the problem of the opening, namely, how to get us from where we are, which is, as yet, nowhere, to the far bank. It is a simple bridging problem, a problem of knocking together a bridge. People solve such problems every day. They solve them, and having solved them push on.
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I am spoken to not in words, which come to me quaint and veiled, but in signs, in conformations of face and hands, in postures of shoulders and feet, in nuances of tune and tone, in gaps and absences whose grammar has never been recorded.
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One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation.
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So it has come, the day of testing. Without warning, without fanfare, it is here, and he is in the middle of it. In his chest his heart hammers so hard that it too, in its dumb way, must know. How will they stand up to the testing, he and his heart?
J. M. Coetzee