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On movies like Star Trek and Star Wars, you have so much that will be created or extended digitally, and it's a slippery slope where you can get lost in a world of synthetic.

J. J. Abrams

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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Movies
Synthetic
Stars
Slopes
War
Trek
Lost
Slippery
Much
Extended
Like
Wars
World
Star
Digitally
Created
Slope

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It's not often that I read about actors that I'm going to be meeting. I get to read articles about actors who were going to come in, so I get to see someone and say, Oh, I read that I was going to see you. It's very nice to see you.
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Whenever I've directed something, there's this feeling of demand and focus that I like.
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Don't sell your story, just tell your story.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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My work isn't any more important than anything else in the family
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
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Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that.
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I believe in anything that will engage the audience and make the story more effective.
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It's more important you learn what to make movies about than how to make movies
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It's what happens. You love, then you lose, then you die. Even if you survive, you die.
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I guess the idea of not wanting to choose to direct a film, for which I've not read a script. It's a tough decision to make without seeing any pages. That's not to say that I don't have all the faith in the world in the spectacular writers.
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I remember being taught to read at a very early age. Like creepy young. I remember being in the crib, reading. My parents were very impressed. My reading speed, comprehension and overall ability has remained at that level ever since.
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I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn’t mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things.
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I try to work on shows that I would want to watch.
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I love movies with spectacle but spectacle can be a performance, it doesn't have to be a creature.
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Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
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Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.
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But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
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I'm literally open to any medium that will have me.
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