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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
J. J. Abrams
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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
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Executive Producer
Film Actor
Film Director
Film Producer
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New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
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More quotes by J. J. Abrams
On movies like Star Trek and Star Wars, you have so much that will be created or extended digitally, and it's a slippery slope where you can get lost in a world of synthetic.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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I've always liked working on stories that combine people who are relatable with something insane.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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Whenever I've directed something, there's this feeling of demand and focus that I like.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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I remember being taught to read at a very early age. Like creepy young. I remember being in the crib, reading. My parents were very impressed. My reading speed, comprehension and overall ability has remained at that level ever since.
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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.
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The ability of a television series to make adjustments is something you've got to take advantage of.
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I try to work on shows that I would want to watch.
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There's nothing wrong with doing sequels, they're just easier to sell.
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Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.
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I am lucky, I'm the first to admit that.
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I guess the idea of not wanting to choose to direct a film, for which I've not read a script. It's a tough decision to make without seeing any pages. That's not to say that I don't have all the faith in the world in the spectacular writers.
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I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
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I love movies with spectacle but spectacle can be a performance, it doesn't have to be a creature.
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I believe in anything that will engage the audience and make the story more effective.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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I think you have a passion and an obsession for something when it's not necessarily ubiquitous.
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I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
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