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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for Felicity or Alias ever again. I'm just too impatient these days. I want to get on to the next project.

J. J. Abrams

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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Writing
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Alias
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Days
Aliases
Long
Guy
Felicity
Never
Write
Impatient
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Next
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Scripts
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Tend
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More quotes by J. J. Abrams

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The ability of a television series to make adjustments is something you've got to take advantage of.
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I guess the idea of not wanting to choose to direct a film, for which I've not read a script. It's a tough decision to make without seeing any pages. That's not to say that I don't have all the faith in the world in the spectacular writers.
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I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn’t mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things.
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I quickly said that, because of my loyalty to 'Star Trek' and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.
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My mother is the coolest, most amazing person I know.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
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I was just like, I want to make a decent 2-D movie. I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.
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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
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I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
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I find that it's hard to fully examine one's life and not have faith be part of the discussion.
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There's nothing wrong with doing sequels, they're just easier to sell.
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People never know what they want, though everyone says they do. If they did, nobody would ever be surprised.
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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.
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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
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I try to work on shows that I would want to watch.
J. J. Abrams
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It's more important you learn what to make movies about than how to make movies
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When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
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I love movies with spectacle but spectacle can be a performance, it doesn't have to be a creature.
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I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
J. J. Abrams