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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.

J. J. Abrams

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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
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New York City
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Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
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More quotes by J. J. Abrams

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I try to work on shows that I would want to watch.
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People never know what they want, though everyone says they do. If they did, nobody would ever be surprised.
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I have nothing against 3-D in theory. But I've also never run to the movies because something's in 3-D.
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George Lucas is the reason that we got to make this movie, you know, he was the man that created this whole galaxy, and I am incredibly grateful to him. He's an artist and he's a grown-up. And I take him at his word, and it doesn't mean I agree with everything he says, but I respect, you know, his right to his opinion.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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It is an incredible thing to see how many crazy things get thrown out that people then often write commentaries about how happy they are or how disappointed they are about something that's completely false. But, it's a lot of noise, frankly.
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Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.
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I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
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I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
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I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.
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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
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But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
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My work isn't any more important than anything else in the family
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for Felicity or Alias ever again. I'm just too impatient these days. I want to get on to the next project.
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It's more important you learn what to make movies about than how to make movies
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It's not a bad way to live once you let go of the idea that you deserve more.
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Don't sell your story, just tell your story.
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On movies like Star Trek and Star Wars, you have so much that will be created or extended digitally, and it's a slippery slope where you can get lost in a world of synthetic.
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