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I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
J. J. Abrams
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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
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Executive Producer
Film Actor
Film Director
Film Producer
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New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
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More quotes by J. J. Abrams
Whenever a toddler sees a pile of blocks, he wants to tear it down.
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It's more important you learn what to make movies about than how to make movies
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I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
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Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.
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I think you have a passion and an obsession for something when it's not necessarily ubiquitous.
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I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
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I was just like, I want to make a decent 2-D movie. I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.
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It's what happens. You love, then you lose, then you die. Even if you survive, you die.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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The Internet now provides an immediate and very clear consensus of what it is that the audience is experiencing. It's something that you should never let lead you, and yet at the same time, you should never ignore it.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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I don't want to do something that is so inside that only die-hard fans will appreciate.
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Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for Felicity or Alias ever again. I'm just too impatient these days. I want to get on to the next project.
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I am lucky, I'm the first to admit that.
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When I was a kid going into the movies, you weren't force-fed information everywhere you looked about what the movie was going to be.
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The ability of a television series to make adjustments is something you've got to take advantage of.
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I was more of a Star Wars kid, actually. I always thought Star Trek was a lot of talk, and it felt a little self-important. It was hard for me to get into it.
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I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.
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I'm literally open to any medium that will have me.
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