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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.

J. J. Abrams

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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Humans
Crosses
Absolutely
Behavior
Beginning
Robotics
Line
Resembles
Lines
Primitive
Animal
Motion
Human
Cross

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I have nothing against 3-D in theory. But I've also never run to the movies because something's in 3-D.
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I quickly said that, because of my loyalty to 'Star Trek' and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.
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When I was a kid going into the movies, you weren't force-fed information everywhere you looked about what the movie was going to be.
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I don't want to do something that is so inside that only die-hard fans will appreciate.
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I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
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Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
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I believe in anything that will engage the audience and make the story more effective.
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for Felicity or Alias ever again. I'm just too impatient these days. I want to get on to the next project.
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I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
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I'm obsessed with things that are distinctly analogue.
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I am lucky, I'm the first to admit that.
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Don't sell your story, just tell your story.
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We used to have more references to things that we pulled out because they almost felt like they were trying too hard to allude to something.
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It's more important you learn what to make movies about than how to make movies
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Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.
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It's not often that I read about actors that I'm going to be meeting. I get to read articles about actors who were going to come in, so I get to see someone and say, Oh, I read that I was going to see you. It's very nice to see you.
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But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
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I don't think anyone wants a movie on time that's not worth your time.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.
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