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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.

J. J. Abrams

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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Animal
Motion
Human
Cross
Humans
Crosses
Absolutely
Behavior
Beginning
Robotics
Line
Resembles
Lines
Primitive

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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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I was more of a Star Wars kid, actually. I always thought Star Trek was a lot of talk, and it felt a little self-important. It was hard for me to get into it.
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I feel blessed that I get to be part of entertaining people in any capacity.
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Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.
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Whenever a toddler sees a pile of blocks, he wants to tear it down.
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I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
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I'm obsessed with things that are distinctly analogue.
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I'm literally open to any medium that will have me.
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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
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Whenever I've directed something, there's this feeling of demand and focus that I like.
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I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.
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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
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It's more important you learn what to make movies about than how to make movies
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George Lucas is the reason that we got to make this movie, you know, he was the man that created this whole galaxy, and I am incredibly grateful to him. He's an artist and he's a grown-up. And I take him at his word, and it doesn't mean I agree with everything he says, but I respect, you know, his right to his opinion.
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I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.
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I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.
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One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face there was a lot of comedy in that show without ever breaking its reality.
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Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
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It is an incredible thing to see how many crazy things get thrown out that people then often write commentaries about how happy they are or how disappointed they are about something that's completely false. But, it's a lot of noise, frankly.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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