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We used to have more references to things that we pulled out because they almost felt like they were trying too hard to allude to something.

J. J. Abrams

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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Used
Hard
Trying
Something
Allude
Things
References
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Pulled
Almost
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Whenever you're playing sports with people who are better than you are, it makes you rise to the occasion.
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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
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I feel blessed that I get to be part of entertaining people in any capacity.
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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
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I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
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Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
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I quickly said that, because of my loyalty to 'Star Trek' and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.
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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
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It's a leap of faith doing any serialised storytelling.
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As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
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It's more important you learn what to make movies about than how to make movies
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My mother is the coolest, most amazing person I know.
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When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
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It is an incredible thing to see how many crazy things get thrown out that people then often write commentaries about how happy they are or how disappointed they are about something that's completely false. But, it's a lot of noise, frankly.
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I try to work on shows that I would want to watch.
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With three kids you are just trying to survive. You can't be fastidious.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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I find that it's hard to fully examine one's life and not have faith be part of the discussion.
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