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We used to have more references to things that we pulled out because they almost felt like they were trying too hard to allude to something.

J. J. Abrams

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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Felt
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Hard
Trying
Something
Allude
Things
References
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Pulled
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Whenever you're playing sports with people who are better than you are, it makes you rise to the occasion.
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I was more of a Star Wars kid, actually. I always thought Star Trek was a lot of talk, and it felt a little self-important. It was hard for me to get into it.
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But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
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It's what happens. You love, then you lose, then you die. Even if you survive, you die.
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With three kids you are just trying to survive. You can't be fastidious.
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I don't want to do something that is so inside that only die-hard fans will appreciate.
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Don't sell your story, just tell your story.
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I was just like, I want to make a decent 2-D movie. I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.
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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
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I've always liked working on stories that combine people who are relatable with something insane.
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Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
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Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
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I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
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It's not a bad way to live once you let go of the idea that you deserve more.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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People never know what they want, though everyone says they do. If they did, nobody would ever be surprised.
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I am lucky, I'm the first to admit that.
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