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But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
J. J. Abrams
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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
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Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
War
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Fans
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Everyone
Wars
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Whenever a toddler sees a pile of blocks, he wants to tear it down.
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We used to have more references to things that we pulled out because they almost felt like they were trying too hard to allude to something.
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My work isn't any more important than anything else in the family
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Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
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Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
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I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.
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I'm literally open to any medium that will have me.
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I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.
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As a kid, 'Star Wars' was much more my thing than 'Star Trek' was.
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It's what happens. You love, then you lose, then you die. Even if you survive, you die.
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There are always a bunch of ideas floating around and I do the best that I can to try to not do them. The ideas don't go away and, over time, are finally like, Okay, it's been around so long, I have to get this thing out, and it somehow ends up coming to some version of fruition.
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It's not a bad way to live once you let go of the idea that you deserve more.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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It's not often that I read about actors that I'm going to be meeting. I get to read articles about actors who were going to come in, so I get to see someone and say, Oh, I read that I was going to see you. It's very nice to see you.
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Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that.
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It's more important you learn what to make movies about than how to make movies
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