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But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
J. J. Abrams
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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
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Executive Producer
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New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
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More quotes by J. J. Abrams
I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
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Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
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I don't want to do something that is so inside that only die-hard fans will appreciate.
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The Internet now provides an immediate and very clear consensus of what it is that the audience is experiencing. It's something that you should never let lead you, and yet at the same time, you should never ignore it.
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It's not a bad way to live once you let go of the idea that you deserve more.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
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I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
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I try to work on shows that I would want to watch.
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Don't sell your story, just tell your story.
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I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn’t mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things.
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Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
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As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
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I have nothing against 3-D in theory. But I've also never run to the movies because something's in 3-D.
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Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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I am lucky, I'm the first to admit that.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
J. J. Abrams