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Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
J. J. Abrams
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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Tell
Fundamentally
Stories
Viewers
Different
Habits
Think
Grown
Ratings
Thinking
Habit
Enormously
Changed
Viewer
Audience
Rating
Story
Options
More quotes by J. J. Abrams
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There's nothing wrong with doing sequels, they're just easier to sell.
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My mother is the coolest, most amazing person I know.
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We used to have more references to things that we pulled out because they almost felt like they were trying too hard to allude to something.
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Whenever you're playing sports with people who are better than you are, it makes you rise to the occasion.
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It's a leap of faith doing any serialised storytelling.
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I try to work on shows that I would want to watch.
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As a kid, 'Star Wars' was much more my thing than 'Star Trek' was.
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I'm literally open to any medium that will have me.
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The ability of a television series to make adjustments is something you've got to take advantage of.
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I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
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I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn’t mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things.
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The Internet now provides an immediate and very clear consensus of what it is that the audience is experiencing. It's something that you should never let lead you, and yet at the same time, you should never ignore it.
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I quickly said that, because of my loyalty to 'Star Trek' and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.
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I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
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I love movies with spectacle but spectacle can be a performance, it doesn't have to be a creature.
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I don't want to do something that is so inside that only die-hard fans will appreciate.
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Whenever a toddler sees a pile of blocks, he wants to tear it down.
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When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
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As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
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