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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
J. J. Abrams
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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
Love
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Unknown
Thinking
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Actor
Working
Actors
Happens
Right
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It's what happens. You love, then you lose, then you die. Even if you survive, you die.
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I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
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There's nothing wrong with doing sequels, they're just easier to sell.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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My mother is the coolest, most amazing person I know.
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I try to work on shows that I would want to watch.
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When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this Star Wars movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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As a kid, 'Star Wars' was much more my thing than 'Star Trek' was.
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I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for Felicity or Alias ever again. I'm just too impatient these days. I want to get on to the next project.
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Whenever I've directed something, there's this feeling of demand and focus that I like.
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One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face there was a lot of comedy in that show without ever breaking its reality.
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I find that it's hard to fully examine one's life and not have faith be part of the discussion.
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Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.
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I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
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When I was a kid going into the movies, you weren't force-fed information everywhere you looked about what the movie was going to be.
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I am lucky, I'm the first to admit that.
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